New Ggz Ingeest jobs added daily. The iD44 also has sends and returns so I can utilise outboard gear. Many Thanx!!! 18.70 10896. the . Audient are really knocking them out of the park right now. Audient iD44 Audio Interface Review 10,068 views Oct 30, 2018 86 Dislike Share Gearspace Forum 12.7K subscribers Our reviewer Arthur Stone takes a good look at one of the hottest audio interfaces. The addition of audio loop-back and a dual headphone output, combined with four Audient Console mic preamps, class-leading converters, ADAT expandability and balanced inserts means iD44 delivers the audio performance of an Audient console straight to your desktop. Quick Start Guide (EN) 122 4635. beyerdynamic DT-770 Pro 250 Ohm. iD44 delivers professional quality audio in a beautifully engineered and all-metal package. Leverage your professional network, and get hired. Get email updates for new Audit Manager jobs in Amsterdam, North Holland, Netherlands. 124 dB 112 dB Expand via ADAT More channels, more possibilities Easily configure your studio to tackle bigger sessions. Reliable performance, a simple layout and a delightfully intuitive user experience let you focus on doing what you do best, making music. They both sound similar and I feel that with Audient, if the source is well recorded, I dont have to do that much in post to get that radio-ready sound.. The insert returns also gives you direct access to the A/D converters providing the cleanest signal path possible, making it great for print-backs or integrating outboard line level sources. With its all-metal construction, hand finished aluminium knobs and high grade component selection, iD44 delivers professional quality audio in a beautifully engineered and simple package. I agree to receive email newsletters and useful tutorials from Audient. Audio loopback is becoming an increasingly in-demand feature due to the prevalent rise of podcasting, Youtube/content creators and gaming streamers. This button displays the currently selected search type. IMHO, even the iD44 is a failure in trying to improve and upgrade this product! Our most powerful audio interface just got better. It is super handy! I recently purchased an ID44.great sounding unit! Ideal for content creators, podcasters and streamers. The latest driver downloads for the iD44 can be found at the following link: https://audient.com/products/audio-interfaces/id44/downloads/ Tomi Frberg, production assistant for a Finnish orchestra finds out if he can record a full orchestra with just 4 mics & his Audient iD44. You can unsubscribe from emails at any time. Audient Limited | EVO Limited | Company registration: 3450730, https://audient.com/wp-content/uploads/2023/06/Brahms-Symphony-No.-3-Joensuu-City-Orchestra.mp3, Register Audient/EVO Product & Unlock 50,000+ Arcade Audio Samples. Supporting both ADAT and SPDIF, boost your I/O by adding up to 16 channels of mic preamps to your setup. All in all, with iD44 I work faster and I get the results faster. Colors of devices correspond to their df-measurements. Audient iD22 Features at a Glance: 2-in/6-out high-performance 24-bit/96kHz AD/DA converters Two superb Class A mic preamplifiers . In iD44 there are basically three headphone outputs. Measurements of difference signal can be made with a few software tools nowadays. You can unsubscribe from emails at any time. Even the iD4 has two. Let's dive in and take a look. Get email updates for new Ggz Ingeest jobs in Amsterdam, North Holland, Netherlands. 8.40 2253. Check out our comprehensive guide to Audio Loop-back. iD44s Loop-back feature is also controlled via the Software Mixer, enabling you to select the Loop-back source from 6 different options to suit a variety of practical scenarios. To the moment more than 200 measurements are completed and can be found in this post. Cordial CFM 3 MV. The distance (mean-corrected MAE) of 2 dB is critical for relation of objective measurements to subjective scores. Sign in to create your job alert for Audit Manager jobs in Amsterdam, North Holland, Netherlands. Even better ADC performance. Hi there, I'm just about to purchase an Audient id44. Quick Start Guide (), Minimum OS Version: macOS 10.13.x (High Sierra) and Later User Guide Manual () Today's top 274 Audit Manager jobs in Amsterdam, North Holland, Netherlands. He counts producing podcasts, doing live streams, creating and recording concert hall announcements as well as recording the full orchestra amongst his responsibilities. Probably the first publicly available such tool was the Audio DiffMaker from Liberty Instruments. Email or phone: Password: Forgot account? Sign Up. The iD mixer tightly integrates hardware and software, letting you effortlessly set up low latency direct monitoring, create up to four stereo artist cue mixes, name and customise channels, save layout presets, assign hardware function buttons and quickly setup advanced routing. Ggz Ingeest Jobs in Amsterdam, North Holland, Netherlands, Maatschappelijk werker ACT Amsterdam Zuid/Nieuw-West, Trajectbegeleider FACT ouderen Amsterdam Zuid, Administratief Medewerker Bureau Verplichte Zorg, GZ Psycholoog Polikliniek Persoonlijkheidsstoornissen Amsterdam, Verpleegkundige / Begeleider gezocht in Amsterdam Oud-Zuid, Gedragstherapeutisch medewerker Poliklinieken, Begeleider gesloten afdeling kliniek Amstelveen, Ambulant verpleegkundige/begeleider FACT Amsterdam Nieuw-West. Endless possibilities, speedy workflow. You can unsubscribe from these emails at any time. Over to you, Tomi! Alternatively use the extra line outputs to send audio to an external headphone amp for distribution to your artists. Giving you the ability to capture playback from multiple applications on your computer at the same time as your microphones, Audio Loop-back lets you create a custom audio feed ready to send to your streaming software. View our Privacy Policy. Facebook. Lynx Hilo [Hilo] (01) Hilo.wav(44)__Original2.flac(44)__mono_400-50.2321-45.6705-14.5383.png CoolColJ - 6 last second part disregarded: -0,1 dB (L), -0,1 dB (R) Corr Depth: 41,8 dB (L), 43,7 dB (R), Difference: -59.1 dBFS (L), -59.2 dBFS (R) (02) Hilo Analog ref lev 0.wav(44)__Original2.flac(44)__mono_400-50.3200-45.7021-35.7222.png sm5, line in and line out trims set at +0: -0.1 dB (L), -0.1 dB (R)..Corr Depth: 41,8 dB (L), 43,6 dB (R) Difference: -58.9 dBFS (L), -59.0 dBFS (R) (03) Hilo Analog ref lev 24.wav(44)__Original2.flac(44)__mono_400-50.3191-45.7019-35.7264.png sm5, level line in and line out trims set at +24: 0.0 dB (L), 0.0 dB (R)..Corr Depth: 41,8 dB (L), 43,6 RMS Difference: -59.1 dBFS (L), -59.1 dBFS (R) (04) original2 loop through hilo play muted.wav(44)__Original2.flac(44)__mono_400-50.1501-45.6925-35.2391.png capn357: 0.0 dB (L), 0.1 dB (R)..Corr Depth: 41,8 dB (L), 43,6 dB (R) Difference: -59.1 dBFS (L), -59.1 dBFS (R) Merging Technologies HAPI [HAPI] (05) Merging ADA8 to ADA8.wav(44)__Original2.flac(44)__mono_400-55.6662-45.4191-33.2643.png ADA8 ---> ADA8 (ljudatervinning): 0.391dB (L), 0.376dB (R) Corr Depth: 38,5 dB (L), 40,1 dB (R) Difference: -58,9 dBFS (L), -60,3 dBFS (R) (06) HAPI loopback ok.wav(44)__Original2.flac(44)__mono_400-43.0067-39.3632-30.9891.png DA8P --> AD8DP (Touf on Pragmatic Audio): 0.08 dB (L), 0.07 dB (R) Corr Depth: 35,9 dB (L), 37,2 dB (R) Difference: -53.0 dBFS (L), -52.8 dBFS (R) (07) Merging ADA8 to AD8D.wav(44)__Original2.flac(44)__mono_400-43.2151-39.5650-31.3447.png ADA8 ---> AD8D (ljudatervinning): 0,2 dB (L), 0,2 dB (R)..Corr Depth: 36,2 dB (L), 37,6 dB (R) Difference: -53.1 dBFS (L), -53.0 dBFS (R) Lynx Aurora(n) [AuroraN] (08) AuroraN24_int.wav(44)__Original2.flac(44)__mono_400-50.2555-45.4771-35.3466.png Mikathechou: 1.1 dB (L), 1.1 dB (R)..Corr Depth: 41,4 dB (L), 43,2 dB (R) Difference: -58.9 dBFS (L), -59.0 dBFS (R) Antelope Pure2 [Pure2] (09) Pure2 INT_05.wav(44)__Original2.flac(44)__mono_400-53.4379-43.2115-31.0659.png Touf on Pragmatic Audio: -0.0 dB (L), -0,2 dB (R)..Corr Depth: 36,3 dB (L), 37,9 dB (R) Difference: -56.8 dBFS (L), -58.2 dBFS (R) Apogee Symphony I/0 Mk II [SymphonyMkII] (10) Symphony mkii -.4.wav(44)__Original2.flac(44)__mono_400-53.5485-43.2271-31.0601.png Diegel: -0.4 dB (L), -0.4 (R)..Corr Depth: 36,3 dB (L), 37,9 dB (R) Difference: -56.8 dBFS (L), -58.2 dBFS (R) Metric Halo LIO-8 [LIO8] (11) lio_loopback2.wav(44)__Original2.flac(44)__mono_400-53.2952-43.1898-31.0788.png BrianVengeance: 3.0 dB (L), 3.0 dB (R)..Corr Depth: 36,4 dB (L), 37,9 dB (R) Difference: -56.7 dBFS (L), -58.1 dBFS (R) Metric Halo ULN-8 3d [ULN8] (12) ULN8 3D into itself.wav(44)__Original2.flac(44)__mono_400-53.3282-43.1856-31.0581.png Actualsizeaudio: 3.6 dB (L), 3.5 dB (R)..Corr Depth: 36,3 dB (L), 37,9 dB (R) Difference: -56.7 dBFS (L), -58.1 dBFS (R) MOTU 2408mk3 [MOTU2408] (13) Test Gerslutz - Motu 2408mk3.wav(44)__Original2.flac(44)__mono_400-53.2862-43.1806-31.0461.png ram75: 0,1 dB (L), 0,1 dB (R) Corr Depth: 36,3 dB (L), 37,9 dB (R) Difference: -56,7 dBFS (L), -58,1 dBFS (R) MOTU 828 MkII [MOTU828] (14) MOTU-828MK2_asym.wav(44)__Original2.flac(44)__mono_400-53.2686-43.2019-31.0492.png laurend: 6.1 dB (L), 6.2 dB (R) Corr Depth: 36,4 dB (L), 37,9 dB (R) Difference: -56.7 dBFS (L) -58.0 dBFS (R) (15) Original on motu 828 mkii via audiodesk.wav(44)__Original2.flac(44)__mono_400-53.3170-43.1817-7.6998.png capn357 0.1 dB (L), 0.1 dB (R)..Corr Depth: 36,4 dB (L), 38,0 dB (R) Difference: -56.7 dBFS (L), -58.1 dBFS (R) (16) Motu 828 Mk2.wav(44)__Original2.flac(44)__mono_400-53.2625-43.1788-31.0654.png Xav: 0.1 dB (L), 0.1 dB (R), Difference: -56.7 dBFS (L), -58.1 dBFS (R) MOTU 24I/O [MOTU24] (17) Motu24ioZAM.wav(44)__Original2.flac(44)__mono_400-53.2896-43.1794-31.0378.png Zam on Pragmatic Audio: 0.1 dB (L), 0.1 dB (R)..Corr Depth: 36,3 dB (L), 37,9 dB (R) Difference: -56.7 dBFS (L), -58.0 dBFS (R) (18) Test Gerslutz - Motu 24 io.wav(44)__Original2.flac(44)__mono_400-53.3119-43.1774-31.0601.png ram75: 0.1 dB (L), 0.1 dB (R) Corr Depth: 36,3 dB (L), 37,9 dB (R) Difference: -56.7 dBFS (L), -58.1 dBFS (R) Mytek 8 x 192 AD/DA [Mytek8] (19) Mytek.wav(44)__Original2.flac(44)__mono_400-52.7958-42.2019-29.8534.png MainTime: 0.4 dB (L), 0.5 dB (R) Corr Depth: 35,3 dB (L), 36,9 dB (R) Difference: -55.8 dBFS (L) -57.1 dBFS (R) (20) Diffmaker_1stPass-Mytek-Master.wav(44)__Original2.flac(44)__mono_400-53.3219-42.7225-30.4273.png mudseason: -0.1 dB (L), -0.1 dB (R)..Corr Depth: 35,8 dB (L), 37,4 dB (R) Difference: -56.3 dBFS (L), -57.7 dBFS (R) Genex GXD8 ---> Genex GXA8 [Genex] (21) Antoine+Fabi+Null+files+test+export+Genex+GXD8-GXA8_01.wav(44)__Original2.flac(44)__mono_400-49.9898-41.8332-28.5405.png Antoine Fabi, 0.1 dB (L), 0.1 dB (R)..Corr Depth: 35,1 dB (L), 36,3 dB (R) Difference: -55.7 dBFS (L), -55.7 dBFS (R) Antelope Audio Zen Tour [ZenTour] (22) Antelope audio Zen Tour monitor out ot line in.wav(44)__Original2.flac(44)__mono_400-51.6680-41.3784-29.2356.png esldude: 0.5 dB (L), 0.6 dB (R)..Corr Depth: 34,5 dB (L), 36,1 dB (R) Difference: -55.0 dBFS (L), -56.3 dBFS (R) (23) ZenTour_by_Zek_441_24_MBP_TB_LogicX.wav(44)__Original2.flac(44)__mono_400-48.5301-39.9814-29.2276.png Zek: 0.9 dB (L), 1.0 dB (R)..Corr Depth: 34,9 dB (L), 36,5 dB (R) Difference: -49.8 dBFS (L), -50.8 dBFS (R) Lynx Aurora 8 [Aurora8] (24) aurora8.wav(44)__Original2.flac(44)__mono_400-47.5606-41.0884-29.3425.png cylens: -0,1 dB (L), -0,1 dB (R) Corr Depth: 34,6 dB (L), 36,3 dB (R) Difference: -54.5 dBFS (L) -55.6 dBFS (R) Lynx Aurora 16 [Aurora16] (25) aurora 15-16.wav(44)__Original2.flac(44)__mono_400-47.5420-41.0741-29.3492.png Touf on Pragmatic Audio: -0.1dB (L), -0.1dB (R)..Corr Depth: 34,6 dB (L), 36,3 dB (R) Difference: -54.5 dBFS (L), -55.6 dBFS (R) (26) LynxAurora16-InternalClock.wav(44)__Original2.flac(44)__mono_400-47.5253-41.0264-29.3275.png antichef: -0,1 dB (L), -0,1 dB (R)..Corr Depth: 34,6 dB (L), 36,2 dB (R) Difference: -54.5 dBFS (L), -55.5 dBFS (R) Edirol UA-1000 [UA1000] (27) UA1000_ADDALoop.wav(44)__Original2.flac(44)__mono_400-50.9862-40.9063-28.8023.png gollumsluvslave: 0.2 dB (L), 0.2 dB (R) Corr Depth: 34,0 dB (L), 35,6 dB (R) Difference: -54.4 dBFS (L), -55.7 dBFS (R) RME ADI-2 Pro [ADI2pro]; balanced out to balanced in, LesC: (28) Sharp_In_Sharp_Out_01.wav(44)__Original2.flac(44)__mono_400-49.5137-40.3876-28.4300.png Sharp DA - Sharp AD: 0.4 dB (L), 0.4 dB (R)..Corr Depth: 33,6 dB (L), 35,2 dB (R) Difference: -53.9 dBFS (L), -55.2 dBFS (R) (29) Slow_In_Slow_Out_01.wav(44)__Original2.flac(44)__mono_400-50.1182-40.1368-28.4093.png Slow DA - Slow AD: 0.4 dB (L), 0.3 dB (R)..Corr Depth: 33,6 dB (L), 35,2 dB (R) Difference: -52.8 dBFS (L), -54.3 dBFS (R) (30) SD_Sharp_In_SD_Sharp_Out_01.wav(44)__Original2.flac(44)__mono_400-45.4782-36.8381-22.8101.png SD Sharp DA - SD Sharp AD: 0.4 dB (L), 0.4 dB (R)..Corr Depth: 33,6 dB (L), 35,3 dB (R) Difference: -44.5 dBFS (L), -45.5 dBFS (R) (31) SD_Slow_In_SD_Slow_Out_01.wav(44)__Original2.flac(44)__mono_400-47.1014-38.3156-27.1622.png SD Slow DA - SD slow AD: 0.3 dB (L), 0.3 dB (R)..Corr Depth: 33,6 dB (L), 35,2 dB (R) Difference: -47.9 dBFS (L), -48.9 dBFS (R) RME ADI-2 Pro FS [ADI2proFS] (32) Symphonic Test Original2 Recorded2.wav(44)__Original2.flac(44)__mono_400-45.2067-36.6806-22.7762.png Archimago, unspecified setting, XLR loopback: 0,2 dB (L), 0,2 dB (R)..Corr Depth: 33,6 dB (L), 35,1 dB (R) Difference: -44.3 dBFS (L), -45.4 dBFS (R) Alesis io|26 [io|26] (33) Alesis_IO26_dffmkr.wav(44)__Original2.flac(44)__mono_400-46.9432-40.4941-28.6575.png mistergo: 0.7 dB (L), 0.7 dB (R)..Corr Depth: 33,9 dB (L), 35,6 dB (R) Difference: -53.9 dBFS (L), -55.0 dBFS (R) TC Electronic Studio Konnekt 48 [Konnect48] (34) Konnekt 48.wav(44)__Original2.flac(44)__mono_400-49.6459-40.0358-27.8441.png DownSideUp: 13.1 dB (L), 13.2 dB (R)..Corr Depth: 33,2 dB (L), 34,8 dB (R) Difference: -53.6 dBFS (L) -54.9 dBFS (R) Lynx L22 [L22] (35) L22 .wav(44)__Original2.flac(44)__mono_400-50.0323-39.9022-27.9136.png bezen4uk: 2.9 dB (L), 2.9 dB (R)..Corr Depth: 33,0 dB (L), 34,7 dB (R) Difference: -53.5 dBFS (L), -54.7 dBFS (R) Lynx LynxTWO-B [LynxTwoB] (36) Lynx Two B.wav(44)__Original2.flac(44)__mono_400-49.7488-39.5993-27.6120.png bezen4uk: 2.8 dB (L), 2.8 dB (R) Corr Depth: 32,7 dB (L), 34,3 dB (R) Difference: -53.2 dBFS (L) , -54.5 dBFS (R) (37) LynxTWOB_ReRecordedStereo.wav(44)__Original2.flac(44)__mono_400-49.9288-39.8042-27.8054.png mattiasnyc: -0.0 dB (L), -0.0 dB (R) Corr Depth: 32,9 dB (L), 34,5 dB (R) Difference: -53.4 dBFS (L) , -54.7 dBFS (R) ESI Juli@ XTe [Juli@XTe] (38) Juli DAC - Juli ADC orig.wav(44)__Original2.flac(44)__mono_400-49.5268-39.5634-27.4983.png DUJS: -0.3 dB (L), -0.3 dB (R) Corr Depth: 32,7 dB (L), 34,3 dB (R) Difference: -53.1 dBFS (L), -54.5 dBFS (R) Lynx E44 [E44] (39) LynxE44.wav(44)__Original2.flac(44)__mono_400-46.5703-39.1125-27.2420.png LTrain: -0.0 dB (L), -0.0 dB (R) Corr Depth: 32,3 dB (L), 34,1 dB (R) Difference: -52.5 dBFS (L), -53.9 dBFS (R) (40) LynxE44(1).wav(44)__Original2.flac(44)__mono_400-46.5703-39.1125-27.2420.png Zek: -0.1 dB (L), -0.1 dB (R)..Corr Depth: 32,1 dB (L), 33,8 dB (R) Difference: -52.4 dBFS (L), -53.6 dBFS (R) RME HDSP 9632 [HDSP9632] (41) RME HDSP 9632.wav(44)__Original2.flac(44)__mono_400-48.4058-38.3167-26.2809.png schtim: 0.5 dB (L), 0.5 dB (R) Corr Depth: 31.4 dB (L), 33.0 dB (R) Difference: -51.9 dBFS (L) -53.2 dBFS (R) RME ADI-8 QS [ADI8QS] (42) Original2_RME_ADI-8QS_0dB.wav(44)__Original2.flac(44)__mono_400-46.2096-38.1523-26.1437.png lou latch: 0.0 dB (L), 0.0 dB (R) Corr Depth: 31,4 dB (L), 32,9 dB (R) Difference: -51.7 dBFS (L), -52.7 dBFS (R) Audient iD22 [iD22], through insert returns (43) Audient iD22 Ins.-Return.wav(44)__Original2.flac(44)__mono_400-34.6431-32.5718-25.4513.png andyfromHH: 0.0 dB (L), 0.1 dB (R) Corr Depth: 32,4 dB (L), 34,3 dB (R) Difference: -45.4 dBFS (L), -46.6 dBFS (R) (44) ID22 Output 1#2 into inserts loopback.wav(44)__Original2.flac(44)__mono_400-48.1521-38.0959-26.0966.png SM5, out 1-2: 1.2 dB (L), 0.1 dB (R)..Corr Depth: 24,4 dB (L), 30,5 dB (R) Difference: -51.7 dBFS (L), -53.0 dBFS (R) (45) ID22 Output 3#4 into inserts looback.wav(44)__Original2.flac(44)__mono_400-48.0789-38.0148-26.0219.png Out 3-4: 0.2 dB (L), 0.2 dB (R)..Corr Depth: 31,2 dB (L), 32,7 dB (R) Difference: -51.6 dBFS (R), -52.9 dBFS (L) (46) ID22-To-ID22.wav(44)__Original2.flac(44)__mono_400-48.1484-38.1157-26.1407.png feutche: 0.9 dB (L), 0.9 dB (R)..Corr Depth: 31,3 dB (L), 32,8 dB (R) Difference: -51.7 dBFS (L), -53.0 dBFS (R) Prism Lyra 1 [Lyra1] (47) Original2viaLyra1.wav(44)__Original2.flac(44)__mono_400-46.2658-38.1594-25.9560.png capn357: 0,0 dB (L), -0,0 dB (R)..Corr Depth: 31,3 dB (L), 33,1 dB (R) Difference: -51.6 dBFS (L), -53.0 dBFS (R) Prism Lyra 2 [Lyra2] (48) Lyra 2.wav(44)__Original2.flac(44)__mono_400-46.0977-37.8009-25.6026.png Shptq: 0,0 dB (L), -0,0 dB (R)..Corr Depth: 31,0 dB (L), 32,6 dB (R) Difference: -51.3 dBFS (L), -52.6 dBFS (R) Prism Orpheus [Orpheus] (49) Prism.wav(44)__Original2.flac(44)__mono_400-46.0695-37.6642-25.4469.png MainTime: 0,1 dB (L), 0,1 dB (R) Corr Depth: 30,8 dB (L), 32,4 dB (R) Difference: -51.1 dBFS (L) -52.4 dBFS (R) Digidesign Digi 002 Rack with Black Lion Audio Signature mod [Digi002R] (50) Black Lion Audio Modified - Digidesign 002R Signature Series.wav(44)__Original2.flac(44)__mono_400-47.4915-37.3016-25.2836.png jlam, Line Out 7+8 to Line In 7+8: 0.3 dB (L), 0.4 dB (R)..Corr Depth: 30,3 dB (L), 32,1 dB (R) Difference: -50.7 dBFS (L), -52.1 dBFS (R) Universal Audio Apollo 16 mkII [Apollo16] (51) Apollo16mkii-InternalClock.wav(44)__Original2.flac(44)__mono_400-47.4061-37.1144-25.0148.png antichef: 0.1 dB (L), 0.1 dB (R)..Corr Depth: 30,2 dB (L), 31,8 dB (R) Difference: -50.7 dBFS (L) , -52.1 dBFS (R) RME Fireface 400 [Fireface400] (52) Fireface400.wav(44)__Original2.flac(44)__mono_400-47.0812-37.0849-25.2116.png didier.brest: 0.3 dB (L), 0.3 dB (R) Corr Depth: 30,2 dB (L), 31,8 dB (R) Difference: -50.7 dBFS (L), 52.0 dBFS (R) Merging Anubis Pro [Anubis] (53) Zek_Merging_Anubis.wav(44)__Original2.flac(44)__mono_400-49.6709-41.7906-29.5312.png Zek, DA filter set to Slow: 0.6 dB (L), 0.6 dB (R)..Corr Depth: 37,5 dB (L), 39,2 dB [/URL](R) Difference: -50.5 dBFS (L), -51.5 dBFS (R) (54) Zek_Merging_Anubis_DA-sharp.wav(44)__Original2.flac(44)__mono_400-49.7033-41.6968-29.2822.png Zek, DA filter set to Sharp: 0.6 dB (L), 0,6 dB (R)..Corr Depth: 37,4 dB (L), 39,1 dB (R) Difference: -50.3 dBFS (L), -51.3 dBFS (R) MOTU Track16 [MOTUTrack16] (55) Track16 playback.wav(44)__Original2.flac(44)__mono_400-45.6687-36.8370-24.8288.png EvgenyStudio: 7.0 dB (L), 6.9 dB Corr Depth: 30,0 dB (L), 31,5 dB (R) Difference: -50,4 dBFS (L), -51,6 dBFS (R) Forssell MADA-2 [MADA2] (56) AuDirFor_loopXLR_ForDirAu_MasForWC.wav(44)__Original2.flac(44)__mono_400-46.2577-36.5031-21.9876.png Mikathechou (DA converters upgraded to 2a version): 1.0 dB (L), 1.0 dB (R)..Corr Depth: 29,7 dB (L), 31,3 dB (R) Difference: -50.1 dBFS (L), -51.5 dBFS (R) Apogee Symphony I/O [Symphony] (57) Apogee Symphony IO 1x loopback.wav(44)__Original2.flac(44)__mono_400-45.1603-38.4330-33.6970.png Ajantis: 0,0 dB (L), 0,0 dB (R) Corr Depth: 43,4 dB (L), 45,6 dB (R) Difference: -51,2 dBFS (L), -50,1 dBFS dB (R) (58) Symphony mki -.2.wav(44)__Original2.flac(44)__mono_400-45.1627-38.4330-33.6970.png Diegel -0.2 dB (L), -0.1 dB (R)..Corr Depth: 43,4 dB (L), 45,6 dB (R) Difference: -51.1 dBFS (L), -50.1 dBFS (R) MOTU 624 [MOTU624] (59) 624-0+2_LoopBack.wav(44)__Original2.flac(44)__mono_400-45.1633-38.4298-33.6949.png EdwardZ7, 0dB output and +2dB input: 0.0 dB (L), -0.0 dB (R)..Corr Depth: 43,4 dB (L), 45,6 dB (R) Difference: -51.1 dBFS (L), -50.1 dBFS (R) MOTU 16A [MOTU16A] (60) MOTU 16a Loop Test_correctstereo.wav(44)__Original2.flac(44)__mono_400-45.1778-38.4048-33.6922.png davidbayles: 1.518 dB (L) 1.513 dB (R) Corr Depth: 43,4 dB (L), 45,6 dB (R) Difference: -51.1 dBFS (L), -50.1 dBFS (R) MOTU 8A [MOTU8A] (61) Motu8a-IN_Out_5-6_by_Zek.wav(44)__Original2.flac(44)__mono_400-43.1608-38.3798-0.3051.png Zek: 1.2 dB (L), 1.1 dB (R)..Corr Depth: 43,4 dB (L), 45,7 dB (R) Difference: -51.1 dBFS (L), -50.0 dBFS (R) Apogee Rosetta 800 [Rosetta800] (62) 7.
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